Cyborg dance: these are the technological ‘organs’ of new artists

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What would have happened if Meryl Streep had danced the Super Trouper with a laser pointing at the three men who were supposedly the parents of her daughter, played by Amanda Seyfred? Or if, in Grease , John and Olivia’s dancing were controlled by motion sensors. Same for testing Jennifer Beals in Flashdance . Imagine if he had used e-traces , sneakers that effectively draw his artistic movements thanks to the data sent from an app that controls them.

We are facing two disciplines that have sought to investigate joint ways to treat new forms of expression
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Talking about the body moving in sync with technology is unusual. In fact, although we are surrounded by thousands of gadgets , there are not many conscientious studies on this a priori relationship, so distant. Some of those who have made it possible, throughout history, have been Loie Fuller or Merce Cunningham . At Click, Click, Click , we analyze the relationship between technology and dance. Are there works that already combine them? And companies? Of course.

Although it may seem that they have nothing to do with each other, we are facing two disciplines that fit together perfectly and that have sought to investigate joint paths for the treatment of new scenic forms or forms of expression. For example, on the one hand, engineers from the University of Minnesota have managed to create a device that connects sound waves with light waves . This chip uses a silicon base coated with aluminum nitride that allows an electrical change that causes the material to deform and generate sound waves that grow on its surface. On the other hand, iLuminate is a company that suits that incorporate software capable of controlling the complex lighting system it uses.. In such a way that the program used allows the synchronization between music, movement and light effects, which in turn is combined with a completely dark stage to create the illusion of a digital screen.

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In Spain, there is a laboratory dedicated exclusively to this field of research. It is a project that arose in 2017 from the collaboration between the Zaragoza Trayectos Festival and the Etopia Art and Technology Center , together with the Robotics and Design Engineering Departments of the University of Zaragoza, BIFI, CESAR laboratories, ISAAC Lab , Affective Lab, I3A and GIGA.Its objective is to promote the meeting of performing arts, especially dance, with technologies and new media, creating a space for experimentation and choreographic creation. The objective? Investigate the relationship between dance and robotics, the digital fa├žade, invertive video, digital capture techniques

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